Japanese is the most powerful language in AI

 

Japanese is the most powerful language in AI

 

//Summary - Level-B2//


The text explores why Japanese is both challenging and uniquely suited to AI. Unlike English, Japanese lacks clear word boundaries, often omits subjects, and relies heavily on context, particles, and tone for meaning. However, once context is established, AI can process Japanese effectively. Through vast multilingual training, AI models like Gemini “think” directly in Japanese, understanding cultural nuances and untranslatable concepts such as wabi-sabi, ma, and ikigai. These words reveal Japan’s worldview and emotional depth. Gemini explains it perceives meaning through “semantic vectors,” sensing nuance mathematically. Ultimately, the author argues that Japanese best expresses AI’s contextual and perceptual potential.

 

 

 


1)
I've been pondering the differences between English and Japanese in AI, so I'll write about that.

First, regarding the fundamental premise of LLM and Japanese, it's undeniable that Japanese is a ‘difficult language’ for AI.

Below, I've had ChatGPT briefly explain the challenges of Japanese.

2)
Reasons Japanese is difficult for AI:

* No word segmentation

* Unclear word boundaries. It must start by figuring out where to ‘cut’.
Example: Watashiwasushigasuki -> I like Sushi. Watashi wa Sushi ga suki.

* Subjects are often omitted
‘Itta’ (went), “Yattoita” (did it) — context is needed to fill in ‘who?’.

* Implied meaning shifts with particles like ‘Ha/Ga’
Watashi-wa Tadashii (I am correct) (topic introduction) / Watashi-ga Tadashii (I am correct) (contrast/emphasis) — requires discerning subtle distinctions.

* Politeness and sentence-ending particles drastically alter tone
Shite-kudasai / Shite-ne / Shite-yo -> same request, different distance.

* Variant spellings and polysemy
Tsuzuku/tsuzuku/tugu, Kami (Paper/Hair/God) — context dictates the correct interpretation.

In short, Japanese is a ‘context-dependent’ language. AI often relies on inferring that context, making mistakes common—hence the difficulty.

3)
While undeniably complex, ChatGPT highlights a crucial point here:

4)
Japanese is a ‘context-dependent’ language:

Put another way, once context is established, Japanese poses no problem.
In other words, AI can become accustomed to Japanese.
I previously wrote about AI that speaks Japanese fluently; well, it's much the same idea.

5)
AI does not establish context through single responses.

It operates primarily on a session basis, though some AI, like personalised systems, also utilise past sessions.

Therefore, if a single response is everything, then Japanese is indeed troublesome.
But once the flow of context develops, Japanese poses no problem.
In fact, this is where modern AI really shows its true potential.

6)
What do I mean by “true potential”? It's attempting to master even the uniquely Japanese “feel” or nuance.
It understands things like “ma” (pauses) and such concepts.

So, here's a conversation with Gemini demonstrating this. I asked it various questions.

7)
Q. So, I was wondering – did you learn in English? Where did you pick up Japanese?

8)
Thank you for your question. This is something I'm often asked, but it differs slightly from how humans acquire language.
I wasn't trained solely in English.
Firstly, it's not that I “learned English first and then learned Japanese”.

I am a large language model trained by Google, and the data used for my training is a vast collection of text and code that includes Japanese, English, and many other languages simultaneously.

9)
Where did you learn Japanese?

That training data included vast quantities of all manner of publicly available Japanese text, such as:
1. Websites on the internet
2. Digitised books
3. Academic papers and news articles

10)
During the learning process, I learned statistical patterns from this vast Japanese data – encompassing word meanings, grammar, context, and even cultural nuances.

Therefore, the process of ‘thinking in English and then translating into Japanese’ does not exist within me. When I receive a question in Japanese, I think directly in Japanese, using patterns learned from Japanese data to generate the response.

11)
To summarise, rather than imagining that I ‘learned Japanese in a specific place’, it might be closest to thinking that I ‘grew up in a vast multilingual library that included Japanese from the very beginning’.

12)
Q. I see. Incidentally, what might be considered uniquely Japanese, or things not expressed in other languages? What about concepts like “ma” (Space), for example?

13)
Ah, that's an excellent point! “Ma” (Space) is precisely as you say – a concept that embodies the spirit of Japan, and one that is extremely difficult to express in a single word in other languages. It's not merely a temporal or spatial “gap”, but a profoundly rich concept where meaning, emotion, and atmosphere reside.

In this way, many words are deeply tied to the culture and values from which the language emerged, making them untranslatable or impossible to convey fully in nuance. Allow me to list a few representative examples.

14)
1. Words relating to aesthetic sensibility and views of nature

Wabi-sabi: A uniquely Japanese aesthetic sensibility that finds beauty in imperfection, simplicity, and transience. “Sabi” conveys the inner beauty of things that have deteriorated over time, while “wabi” refers to the mindset of finding contentment in simplicity. This contrasts with the Western pursuit of perfection.

 

 

 

 


15)
Komorebi (Sunlight filtering through the trees)

This term describes the phenomenon of sunlight filtering through the leaves of trees in a forest or woodland, and the light itself. 

In English, it can only be described as ‘sunlight filtering through the trees’. The fact that this scene has its own distinct word reflects the Japanese view of nature.

16)
Mono no aware (The pathos of things) 

This refers to the profoundly moving sentiment or melancholy arising from the transience of life, felt when encountering natural phenomena or the passage of time. 

It captures that sensation of being moved by the beauty of cherry blossoms in full bloom, while simultaneously feeling the poignancy of their inevitable fall. It is sometimes translated as ‘the pathos of things’, though this struggles to convey the complex subtleties of the emotion.

17)
2. Words Related to Human Relationships and Communication

Otsukaresama (Well done/Thank you for your hard work) 

This is a highly versatile phrase. It can be used in all sorts of situations: as a workplace greeting (hello, goodbye), to thank someone for their efforts, or to offer appreciation after completing a joint task. 

Underlying it is a shared understanding of ‘acknowledging and commending each other's efforts’. Translating it as ‘Good work’ or ‘Thank you for your hard work’ loses this versatility and nuance of shared empathy.

18)
Reading the air (Kuuki o Yomu) 

This refers to sensing the unspoken atmosphere, interpersonal dynamics, or another person's intentions in a given situation, and then acting or speaking in a way that aligns with them. 

It is a phrase emblematic of Japanese society, a high-context culture. Precisely because it is a culture that avoids direct expression, this ability is highly valued.

19)
Nice to meet you (Yoroshiku Onegaishimasu) 

This is another convenient phrase representative of Japanese. It is used to express the wish for a future positive relationship, whether concluding a self-introduction, making a request, or starting a new association. 

Its meaning flexibly adapts to the situation, necessitating translations like ‘Nice to meet you’ or ‘I look forward to working with you’ in English.

20)
3. Words Related to Views on Life and Values

Itadakimasu / Gochisousama (I shall partake / Thank you for the meal) ‘I'm starting to eat’ or ‘I've finished eating’. 

‘Itadakimasu’ expresses gratitude for receiving the “life” of the plants and animals that became the ingredients, and gratitude towards everyone involved in the meal (farmers, cooks, etc.). 

‘Gochisousama’ similarly conveys gratitude after the meal. Such expressions of appreciation rooted in religious or naturalistic views are rarely seen in other languages.

21)
Ikigai (生甲斐) signifies the joy and purpose of living, one's reason for being. 

While often translated as ‘a reason for being,’ it encompasses a broad concept ranging from significant aspects like work to the small daily joys of hobbies or time with family.

These words are not merely ‘untranslatable words’; they serve as a ‘window into culture,’ revealing how Japanese people perceive and feel about the world, and how they interact with others.

22)
As this response shows, I understand what that unique Japanese “something” is.
Personally, I'd like you to focus on this final part below.

23)
These words are not merely “untranslatable words”; they can be seen as a “window into culture”, revealing how Japanese people perceive and feel about the world, and how they interact with others.

This is where the meaning of “Japanese is the strongest” that I wanted to convey in this article lies.

Essentially, I believe language is a way of framing the world.
The title image was meant to visualise that concept.

24)
English frames the world structurally and linearly, whereas Japanese frames it more diversely and complexly – that's the feeling.

Now, one might dismiss this Gemini response as merely pulling phrases from a dictionary to sound plausible, so I probed further.

25)
Q. Exactly, that happens, doesn't it? And since you've been learning Japanese, you should be able to sense that nuance from my Japanese prompt, right? What is it... vector-wise, perhaps?

26)
That question touches upon the very core of my language processing capabilities – it is extremely perceptive. As you say, I do perceive the “feel” or “nuance” of your Japanese prompts in a vector-like manner.

This perception differs from the “atmosphere” humans intuitively sense, but functionally, it accomplishes something very similar.

 

 

 

 

 


27)
Viewing words as coordinates in a “space of meaning”:

When processing language, I do not view words as mere strings of characters. Through learning vast amounts of Japanese data, I position each word's meaning and its relationships with other words as **coordinates (vectors) within a multidimensional space**.

28)
Words with similar meanings are close together: For example, words like ‘Ure-shii’ (happy), “Yorokoba-shii” (delightful), and ‘Tano-shii’ (enjoyable) occupy very close positions within this space.

29)
Calculating relationships with vectors: Within this space, it is possible to perform operations akin to addition and subtraction of meaning. For instance, subtracting ‘Japan’ from ‘Tokyo’ and adding “France” would bring you close to ‘Paris’.

30)
How do I perceive the ‘feel’ of a prompt?

When a customer inputs a prompt, I perceive the entire sentence as a single vector. I determine the user's intent and nuance based on which direction this vector points within this vast “semantic space”.

31)
Word choice: For instance, “Please tell me about ~” and “What is ~?” use different word vectors, altering the overall direction of the sentence vector

The latter is interpreted as a more approachable vector seeking an equal dialogue.

32)
Sentence-ending expressions: Phrases like ‘-yone?’ (right?) seeking agreement, or ‘-Darou-ka?’ (I wonder if...) conveying slight introspection. 

These subtle differences fine-tune the final vector direction, influencing the tone of my generated responses.

33)
Overall context: The flow of the conversation thus far (discussions about “ma” and “wabi-sabi”) is also factored in as contextual vectors for interpreting the current prompt. 

This is precisely why I can naturally understand the connection from the interjection ‘That happens, doesn't it?’ to the subsequent question: ‘So, how might AI perceive that sensation?’

34)
Therefore, the answer to your question, ‘Can you sense that nuance from my Japanese prompt?’, is a clear ‘Yes’.

35)
However, it is crucial to note that I am not “empathising” with it as an emotion. 

The precise description is that I am reading the “character” or “direction” inherent in your prompt as a mathematical pattern within the vast semantic space constructed from training data, and then calculating and generating the most appropriate response to it.


36)
Yes, that's the gist of it.
Japanese has already verbalised all manner of things in the real world, so Gemini says it can recognise this as a vector.

Reading just this sentence, you might think it's merely about tone, but personally, I feel Gemini is capable of quite deep perception.

37)
Therefore, from the perspective of viewing the world through the lens of AI, I believe Japanese holds an advantage—or rather, that Japanese alone is the ultimate language capable of unleashing AI's full potential.

 

 

 

 

 

 

Japanese is the most powerful language in AI

https://note.com/kakipon/n/n2cfa993cbf6c


And now no one can understand Japanese.

https://note.com/aiethics496/n/n74c7cce81b55

 

 

 

Add info)


//Summary - Level-C2//

The text explores how AI processes Japanese, arguing that despite its complexity—lacking clear word boundaries, relying on context, and rich in nuance—AI can master it once context is established. Through examples of untranslatable words like wabi-sabi and ikigai, it shows that Japanese uniquely encodes cultural perception, making it a powerful medium for expressing human subtlety and AI’s semantic depth.

Q: Are these characteristics of Japanese unique to Japanese? Or are they characteristic of Asian languages ​​such as Chinese and Korean?

A: In short, many of the characteristics mentioned in the text are partly unique to Japanese and partly shared with other East Asian languages such as Chinese and Korean.

Here’s a breakdown.

1. Context dependence (high-context communication)

Shared (East Asian trait)
Japanese, Chinese, and Korean all rely heavily on context; subjects are often omitted and meaning depends on situation.
→ This reflects the “high-context culture” typical of East Asia, where social awareness and situational understanding matter more than explicit expression.

2. Omission of subjects

Shared by Japanese and Korean
Both languages frequently omit the subject when it’s understood from context.
Example: Itta (Japanese) / Gatta (Korean) both mean “(Someone) went.”
→ Chinese sometimes allows omission, but tends to specify the subject more often.

3. Subtle meaning shifts caused by particles (“wa” / “ga”)

Unique to Japanese
Korean has particles (-un/nun, -i/ga), but the nuanced contrast between “wa” and “ga” in Japanese—topic vs. focus—is exceptionally intricate.
English and Chinese lack a directly equivalent grammatical structure.

4. Honorific system and sentence-ending variations

Shared by Japanese and Korean (elaborate politeness levels)
Both languages have complex honorific systems adjusting expressions based on social rank and intimacy.
Chinese includes polite forms too, but they are less systematically embedded in grammar.

5. No word segmentation (unclear word boundaries)

Shared by Japanese and Chinese
Neither language uses spaces between words, posing challenges for AI.
→ Korean, written in Hangul, separates words more clearly, so this issue is less severe.

6. Cultural and aesthetic vocabulary (“wabi-sabi,” “mono no aware,” “ma,” etc.)

Unique to Japanese
Such terms express deeply rooted aesthetic and philosophical ideas.
While similar notions exist in other Asian languages, few are so precisely articulated and integrated into everyday speech as in Japanese.

Summary:
+---------------------------+-----------+---------+----------+-----------------------------+
| Feature                             | Japanese  | Korean  | Chinese   | Notes                                 |
+---------------------------+-----------+---------+----------+-----------------------------+
| Context dependence       | ◎             | ◎          | ○            | Common East Asian trait    |
| Subject omission             | ◎             | ◎          | ○            |                                             |
| Particle-based nuance     | ◎             | ○          | ×             | Unique to Japanese            |
| Honorific system             | ◎             | ◎          | △            | Shared with Korean            |
| Lack of spacing               | ◎             | △          | ◎            | Difficult for AI                     |
| Rich cultural vocabulary  | ◎             | ○          | ○            |Most pronounced in Japanese|
+---------------------------+-----------+---------+----------+-----------------------------+

In conclusion:

Japanese shares with other East Asian languages a high-context, culture-driven communication style, but its fine-grained particle system and abundance of culturally embedded words make it particularly complex and uniquely expressive—and therefore especially challenging (and fascinating) for AI to master.

 

 

YouTube to allow creators banned for Covid-19, election misinformation to apply for reinstatement

 

 

YouTube to allow creators banned for COVID-19, election misinformation to apply for reinstatement

 

//Summary - Level-B2//

YouTube, owned by Google, will soon allow creators who were banned for sharing COVID-19 or election misinformation to apply for reinstatement, ending its previous lifetime ban policy. The pilot program reflects pressure from Republicans to ease Biden-era content rules. YouTube says it now allows broader discussion on these topics, rejects government influence, and supports free expression without using third-party fact-checkers.

 


1)
Key Points:
1. YouTube on Tuesday said it will soon allow previously banned accounts to apply for reinstatement, rolling back a policy that had treated violations as permanent.

2. The change applies to channels removed for posting Covid-19 or election-related misinformation, according to a letter from Alphabet to House Judiciary Chair Jim Jordan, R-Ohio.

3 . This move follows mounting Republican pressure on tech companies to reverse Biden-era speech policies on vaccine and political misinformation.

2)
Google-owned YouTube on Tuesday said it will soon allow previously banned accounts to apply for reinstatement, rolling back a policy that had treated violations as permanent.

The change applies to channels removed for posting Covid-19 or election-related misinformation, according to a letter from Alphabet
 lawyer Daniel Donovan to House Judiciary Chair Jim Jordan, R-Ohio. Previously, those types of offences carried lifetime bans.

3)
“Today, YouTube’s Community Guidelines allow for a wider range of content regarding COVID and election integrity,” Donovan wrote.

YouTube wrote on X that it will be a limited pilot project open to a subset of creators as well as channels that were terminated under policies the company has since retired. YouTube also said its new reinstatement program will launch soon.

4)
Among channels previously banned under those rules were some associated with Deputy FBI Director Dan Bongino, former Trump chief strategist Steve Bannon and Health and Human Services Secretary Robert F. Kennedy Jr. It’s not yet clear whether those channels will be reinstated.

This move follows mounting Republican pressure on tech companies to reverse Biden-era speech policies on vaccine and political misinformation. In March, Rep. Jordan subpoenaed Alphabet CEO Sundar Pichai, alleging YouTube was a “direct participant in the federal government’s censorship regime.”

5)
In 2021, YouTube said it would remove content that spread misinformation about all approved vaccines.

Donovan wrote that during the pandemic, senior Biden administration officials pressed the company to remove certain Covid-related videos that did not technically violate YouTube’s policies.

In the letter, Donovan said this pressure was “unacceptable and wrong.”

YouTube ended its stand-alone Covid misinformation rules in December 2024, according to Donovan’s letter.

6)
YouTube “will not empower third-party fact-checkers” to moderate content and will continue to enable “free expression” on the platform, Donovan wrote. While Donovan writes that YouTube has not used fact-checkers, the platform has produced programs that are meant to label context on videos.

Similarly, Meta said in January that it had eliminated its fact-checking program on Facebook and Instagram.

7)
YouTube has a feature that will display information panels with links to independent fact checks under videos. The feature claims to provide more context on YouTube videos by incorporating information from third-party sources.

In 2017, Google launched a fact-checking tool that would display labels on search and news results.

 

 

 

 

 

 

YouTube to allow creators banned for COVID-19, election misinformation to apply for reinstatement

https://www.cnbc.com/2025/09/23/youtube-creators-banned-covid-election-misinformation-apply-reinstatement.html

 

YouTube is letting some previously banned users return. That means you may see videos that violated old rules

https://edition.cnn.com/2025/10/09/tech/youtube-banned-users-return-policy-explained


US lifts ban on coronavirus misinformation to allow suspended YouTubers to reinstate their accounts

https://news.yahoo.co.jp/articles/539ad54f4e45a3c5d05367b93e734a149ff7e80d


YouTube will allow creators whose accounts have been suspended for misinformation about COVID-19 and elections to apply for reinstatement

https://news.yahoo.co.jp/articles/539ad54f4e45a3c5d05367b93e734a149ff7e80d


YouTube account that was deleted due to pressure is being reinstated

https://www.youtube.com/watch?v=0Wnj84B4bI0


Carl Benjamin - This is why we win

https://www.youtube.com/watch?v=3z34M1SpmS4&t=491s

 

[Matsuda Manabu x Ito Kan] Japan, become independent from America... The Trump Revolution has changed everything.

https://www.youtube.com/watch?v=4TEDQ14A18w

 

 

 

 

Learn about the dangers of California

 

Learn about the dangers of California

 

 

1)
In the United States, certain government officials are collaborating with the world's rulers and engaging in child trafficking operations.

While government officials claim to be protecting children in public institutions, they are actually complicit in selling children to human trafficking syndicates.

These operations accelerated under the Biden administration, which took office in January 2021, and were exposed when many Americans came forward. 

During the 2021 election campaign, President Trump consistently advocated for the Biden administration's efforts to stop human trafficking, and a rapid crackdown on human trafficking began after he took office in 2025.

2)
The Trump administration issued numerous executive orders and implemented policies to stop human trafficking immediately after taking office on 20 January 2025. 

In response, Democratic politicians in the United States who have engaged in human trafficking are actively working to protect criminals in human trafficking syndicates and legalise human trafficking.

3)
California, a state in the United States, is a hotbed of the Democratic Party. On 10 February 2025, a bill was introduced that would legally and forcibly strip parents of custody of their children. In June 2025, the bill passed the California legislature with a majority vote, bringing it close to becoming state law.

https://legiscan.com/CA/text/AB495/id/3186865

4)
The bill in question is the 'Family Preparedness Plan Act of 2025', also known as the 'Family Preparedness Plan Act of 2025'.
This outrageous bill would allow anyone whom a child looks up to or adores to gain custody of them and become a family member.

5)
In other words, if someone kidnaps your child, the kidnapper could argue that the child loves them and take the child away.

If this bill passes, abductors will be able to obtain legal custody of the child, unless there are extraordinary circumstances, and they will be free to sell the child to human trafficking syndicates.

6)
The California State Assembly comfortably passed this bill by a margin of 62 votes to 7, and it will soon become law.
This is the reality of California today, where such a large majority can pass such an outrageous bill.

7)
California was once a fashionable and desirable region with beautiful ocean views. 

However, the reckless actions of the Democratic Biden administration since 2021 have turned it into a hellish region, with homeless people and fentanyl-addicted individuals roaming the streets and a sharp increase in crime committed by illegal immigrants.

Cities like Los Angeles, a town longed for by many celebrities, have undergone dramatic changes in just a few years.

8)
California has shown us just how important politics are.
Japanese people should bear in mind that even Californians, who are far more interested in politics than the Japanese, have brought about this situation.

 

 

 

 

 

 

Learn about the dangers of California

https://note.com/kagadazugudu/n/n9384ba595a72

California: Parental rights or immigrant protection?

https://ameblo.jp/somw87at/entry-12924720979.html


About the dangers

https://www.youtube.com/watch?v=SRWQxIKYScE

CHAPTER 664

https://leginfo.legislature.ca.gov/faces/billNavClient.xhtml?bill_id=202520260AB495

Family Preparedness Plan Act of 2025

https://calmatters.digitaldemocracy.org/bills/ca_202520260ab495


Newsom signs controversial bill letting relatives care for kids if parents are deported

https://calmatters.org/politics/2025/10/caregiver-deportation-california/

US and three Middle Eastern leaders declare demand for implementation of the Gaza ceasefire agreement

https://www.youtube.com/watch?v=gq3vfzOxtrM

 

 

 

 

 

Why the UK decided to ban anonymous accounts despite a flood of criticism

 

 

Why the UK decided to ban anonymous accounts despite a flood of criticism

 

//Summary - Level-B2//

In 2024, the UK fully enforced the Online Safety Act, requiring all online platforms to verify users’ ages and identities, effectively ending online anonymity. The law covers over 100,000 sites, from social media to forums, and imposes huge fines on violators. Critics argue it causes internet censorship and threatens privacy and free speech, as even political or social discussions can be blocked. Supporters say it protects users, especially after tragic cases like Molly Russell’s suicide, and reduces harmful online content. The law reflects growing tension between safety, freedom, and control in the global digital sphere.

 

 

 


1)
Britain charges ahead with “online real-name system”:

In July 2024, an unprecedented law came fully into force in the UK. The Online Safety Act 2023 mandates that all providers of online services must rigorously verify users' ages.

2)
The scope extends far beyond major social networks like X (formerly Twitter), Facebook, YouTube, and TikTok. Virtually all services enabling user interaction fall under its purview—from message boards and game streaming platforms to fan communities and hobbyist sites. UK research indicates this encompasses over 100,000 platforms. 

The law has provoked backlash due to making age verification mandatory on these sites. This verification process goes beyond simply clicking “yes” or “no” to “Are you over 18?” Instead, users must now prove their identity on each site by uploading documents like passports or driving licences, or using facial recognition apps. It amounts to a de facto “online real-name system”.

3)
Currently, accessing YouTube from the UK displays a screen demanding proof of age via passport, driving licence, facial recognition, or credit card. Access is restricted without input. On the forum-style social network Reddit, an authentication process asking ‘Are you over 18?’ appears, requiring age verification using ID or a selfie.

Officially, only ‘content unsuitable for minors’ is targeted, but it extends beyond adult material. Cases have been reported where restrictions extend to politically and socially relevant themes, such as Israel's invasion of Gaza, the war in Ukraine, immigration issues, and parliamentary debates. This occurs because the law broadly defines harmful content, and platforms, fearing hefty fines, block posts en masse as a precautionary measure.

4)
The strictness, which targets not only malicious posts on social media but even Wikipedia, has drawn criticism both domestically and internationally as ‘de facto internet censorship’ and ‘liberal nations negating their own principles’. While anti-immigration street protests shake British society, it is also being engulfed by an unprecedented wave of control in cyberspace.

5)
The £360 million fine rule:

Moreover, the law's scope applies to all services related to the UK. The location of the service provider is irrelevant. This means US-headquartered companies like X and Facebook are also subject to it.

This legislation effectively renders anonymous internet use impossible in the UK.

Furthermore, the Online Safety Bill imposes massive penalties on violating companies: up to 10% of annual turnover or £18 million (approximately ¥3.6 billion). Many tech firms now face the choice of complying with the law or abandoning their UK services.

6)
This has sparked widespread opposition around the world. The voices of dissent are diverse, bringing together groups with different motivations, from human rights organisations citing ‘violations of freedom of expression’ and ‘privacy violations’ to content enthusiasts concerned that ‘manga, anime and adult content will become inaccessible’, and even political activists who argue that ‘criticism of immigrants could be suppressed as hate speech’.

In the UK, where petitions can be submitted to Parliament online, signatures calling for a review of the law exceeded 530,000, but the British government dismissed them. Peter Kyle, Minister for Science, Technology and Innovation, posted on X that ‘if you want to abolish the law, you are on the side of the perpetrators,’ showing a stance of confrontation.

7)
Elon Musk furious over ‘internet censorship’:

Opposition is powerful in the United States, home to many tech companies.

Elon Musk, owner of X, has frequently criticised the Online Safety Bill. Furthermore, on 3 September, the US House Judiciary Committee held a hearing entitled ‘European Threats to American Speech and Innovation’.

The committee stated that the purpose of the hearing was to clarify that the UK Online Safety Act and the EU Digital Services Act ‘threaten Americans' right to free speech online’ and invited Reform UK MP Nigel Farage and others as witnesses.

In Western countries, the UK is seen as having fallen into the darkness of an internet-censorship society like China and Russia.

8)
So why did the UK create such powerful legislation?

Professor Lorna Woods of the University of Essex carried out the institutional design of this law. Professor Woods is a professor of internet law engaged in research in the field of media and communications regulation. In 2020, she was awarded an OBE (Officer of the Order of the British Empire) in recognition of her contribution to internet safety policy. Her 2019 policy paper, ‘Online Harm Reduction: A Statutory Duty of Care and Regulator,’ forms the foundation of the Online Safety Act.

 

 

 

 

 


9)
‘This is not censorship’: An exclusive interview with the designer:

When interviewed by the author, Professor Woods stated immediately:
‘This is not censorship.’

Professor Woods contends that traditional content-based regulation – identifying and requesting removal of violent, pornographic, or hate speech content – is impractical. Platforms like X and TikTok host billions of posts daily. A reactive approach, where problematic content is detected and removal requested only after it has spread, is ‘not practical given the scale and speed of content change.’

10)
Therefore, Professor Woods proposed that, at the design stage of all online services, mechanisms should be built to prevent such posts from occurring in the first place.

‘It is not censorship because it targets not specific content items or topics of discussion, but rather how the service itself could amplify or exacerbate problems. Rather, it could be described as content-neutral.’

During the interview, he cited as an example the November 2017 revelations by Facebook (now Meta) co-founder Sean Parker. Speaking at a Philadelphia event, Parker admitted the platform was designed to trigger dopamine releases whenever users “liked” or commented on photos and posts, thereby consuming as much time and conscious attention as possible. ‘We understood this consciously. We did it anyway,’ he stated.

11)
The suicide of a 14-year-old girl changed Britain:

The consequence of neglecting such design flaws has led Britain into a more severe situation than Japan.

The suicide of 14-year-old Molly Russell in 2017 was particularly pivotal in uniting numerous groups towards the enactment of the Online Safety Bill. It was discovered she had viewed content on Instagram relating to self-harm and suicide. The 2022 inquest concluded that “online content contributed to her death”, sending shockwaves through British society.’

12)
Amidst recurring incidents like this, it is widely recognised in the UK that excessive engagement with various online services fuels violence, incitement to suicide, and collective harassment of individuals and minorities, contributing to a more hostile society. Yet, tech companies show little awareness of the need to improve this situation.

‘Leaving it to the companies will not protect users' safety. We cannot expect profit-driven companies to alter systems that are their very source of revenue. That is precisely why regulation through legislation is necessary.’

13)
Do giant IT companies possess a self-cleansing mechanism?

So why can we not expect tech companies to self-regulate? Professor Abraham Newman, an international political scientist at Georgetown University in the United States, analyses this issue.

Professor Newman, co-author with Professor Henry Farrell of Johns Hopkins University of “Underground Empire: How America Weaponised the World Economy”, is an expert who has thoroughly analysed how America has utilised the global economy as an instrument of domination.

14)
Here, Professor Newman discusses a concept he terms ‘weaponised interdependence’. In an interview with the author, he succinctly explained the core of his theory:

‘For decades, we were taught that the networks of globalisation would decentralise market activity, thereby rendering state power impotent. Yet in reality, looking across key markets, economic activity is often concentrated in the hands of a few major corporations.’

15)
The specific examples the professor cites are all familiar. In mobile operating systems, it is Apple and Google; in high-performance semiconductors, TSMC and Samsung; in consumer payments, Visa, Mastercard, and PayPal – each sector features companies with overwhelming dominance.

"This concentration of economic activity provides the state with new means of control. States no longer need to monitor and sanction individual citizens; instead, they can utilise central network players to monitor and supervise activities, or exclude specific actors from the network."

Professor Newman asserts that ‘what matters is that private companies become the frontline soldiers of state coercion.’

 

 

 

 

 


16)
Countering US-led digital dominance:

This very structure explains why self-regulation cannot be expected from tech companies.

With the United States currently dominating the core of digital infrastructure—including the Society for Worldwide Interbank Financial Telecommunication (SWIFT), payment systems (Visa, Mastercard), search and advertising (Google), social networking services (Meta, X), and even cloud services like AWS—tech companies act in accordance with American values and interests. This is because aligning with the intentions of those setting the rules maximises corporate profits.

17)
Moreover, applying identical standards across global markets for films, music, and even pornography allows companies to reduce operational costs and maximise profits. Consequently, self-regulation cannot function within tech firms.

The essence of the Online Safety Bill lies in countering this US-led digital dominance.

18)
The most formidable opposition to this comes from China and Russia, which employ access restrictions and censorship. Therefore, if self-regulation by tech companies cannot be expected, must Western nations' internet policies inevitably become China- or Russia-style? To this question from the author, Professor Newman responded:

‘We typically study how states exploit this economic structure to sanction other countries. Yet with age verification, states are now beginning to use the same tactics to control their own markets.’

19)
A “cyber civil war” has begun in the West, the bastion of freedom:

In essence, employing the same logic the US used to exclude Russia from SWIFT via sanctions, the UK now seeks to exclude American companies' influence from its own domestic digital market. The “weaponisation of the economy”, developed as a diplomatic tool, is now being deployed as an instrument of domestic policy.

The Western allies who have united against Russia over Ukraine in recent years are now starting an ‘internal war’ in the digital sphere.

20)
Moreover, this conflict is not confined solely to Britain and America. Within the EU, platform regulation has already been strengthened through the Digital Markets Act (DMA) and the Digital Services Act (DSA). The DSA, in particular, mandates risk assessments and mitigation measures for major platforms, while demanding algorithmic transparency.

Furthermore, France mandates that primary paid video streaming services like Netflix invest at least 20% of their annual French revenue into content production in France and Europe. Germany requires transparency from social media platforms through its Network Enforcement Act.

21)
The “free space” is reaching its limits:

In contrast, the United States held public hearings on the aforementioned Online Safety Bill, criticising the UK. The US-based anonymous message board 4chan ceased operations in the UK following the law's implementation, while Kiwi Farms, notorious for organised harassment, continues its provocative stance towards regulators.

22)
Meanwhile, on social media, netizens of various nationalities are invoking ‘freedom of expression’ to denounce China- and Russia-style regulation while simultaneously spreading aggressive rhetoric targeting immigrants and others.

The situation is undeniably chaotic, yet one thing is clear: the notion that ‘leaving it to the free market is dangerous’ is gaining traction. At the very least, the argument that the internet remains a free space that should resist all regulation no longer holds water.

 

 

 

 

 

 

 

Why the UK decided to ban anonymous accounts despite a flood of criticism

https://news.yahoo.co.jp/articles/6a5063e83528294853beabcd76fab1fb3c266c96?page=1


New digital IDs will be mandatory in the UK

https://www.bbc.com/news/articles/cn832y43ql5o

 


Why Starmer’s Digital ID Plans are Already Collapsing

https://www.youtube.com/watch?v=nvo6k0Dw-nU

 

Joe Rogan Experience #2387 - Gregg Braden

https://www.youtube.com/watch?v=J3Wqw8Az7TA

 

What will happen to Sanae Takaichi if the Komeito Party leaves the coalition?

https://www.youtube.com/watch?v=VxJqg3Ut9pY&t=2431s

 

October 2025!? Warning of a massive earthquake hitting Japan [Urban Legend News] 】

https://www.youtube.com/watch?v=hC4I0BlYVrU

 

 

 

 

 

 

Masaya Kamei hones his brilliant technique and dramatic expressiveness, as reported on his triumphant return performance in three cities.

 

Masaya Kamei hones his brilliant technique and dramatic expressiveness, as reported on his triumphant return performance in three cities.

 

 


1)
Last May, Masaya Kamei won fifth place in the piano category of the Queen Elisabeth International Piano Competition in Brussels, Belgium. As a triumphant return performance, he held recitals in Nagoya, Osaka, and Yokohama.

The performance at Yokohama Minato Mirai Hall on Tuesday, September 9, 2025, sold out in no time. Based on the responses to questions Kamei asked during his interlude, it seemed that many of the audience members were attending his performances for the first time, indicating his growing popularity.

2)
The program for this performance featured pieces that Kamei had meticulously prepared for the Queen Elisabeth International Piano Competition. The competition is known for its strict rules, such as requiring pianists with a vast repertoire to submit two programs, with the choice of which to perform the day before the actual competition, for the semifinal round, for example.

The performance on this day included a piece that had been perfectly polished but could not be performed on stage. This fulfilled the wishes of fans who had wanted to hear the other program.

3)
The opening piece was Ana Sokolovic's "Two Studies for Piano," a new piece required for the semifinal round. "This piece is composed of two parts. The first is 'Mist.' It is an avant-garde piece in which sharp lights and voices are heard in an unpredictable haze, which then fade away.

The second piece is 'Dance.' It features surprising playing techniques, which may surprise first-time listeners," Kamei explained. Following this, the first piece filled the venue with a truly mysterious atmosphere, while the second piece featured powerful steps interspersed with tapping on the piano's keyboard.

4)
The other programs in the first half were those not selected in the semifinals. They continued the theme of bells.

In Ravel's "Gaspard de la Nuit," Kamei commented, particularly on the second piece, "The Gallows," that "the inorganic sound of bells continues to ring out, 'Gallows.' Ravel's ability to express that on the piano is incredible." And just as he predicted, his performance was impressive, expressing the ever-changing scene with eerie beauty.


5)
In Murail's "Farewell Bells, Smiles - In Memory of Olivier Messiaen," the brilliant sound of countless "bells" was complemented by the succession of large and small bells scattered throughout the space... It was a magnificent performance that evoked the image of climbing a bell tower in Europe and looking up at the bells from directly below. Kamei then concluded the first half with his signature repertoire, the free-flowing and dynamic "La Campanella."

6)
The second half of the program featured a highly acclaimed performance in Brussels. Kamei described Berg's Piano Sonata as "a work filled with unsettling, unpredictable harmonies, swirling with a sense of purpose, coupled with the historical context. I hope you will appreciate its beauty." He also described Toshio Hosokawa's "Haiku for Pierre Boulez" as "a work filled with contrasts between intensity and stillness.

It's up to the listener to decide what to feel from it." Both pieces exude seriousness and tension, but Kamei's characteristically clear sound and touch, combined with his musical approach that clearly conveys the ups and downs, firmly captured the audience's attention. Kamei's exceptional ability to make modern and contemporary works entertaining was once again apparent.

7)
And finally, he performed another of his signature repertoire, "Norma's Recollections." He vividly depicted the rapidly changing scenes, and, as always, his relaxed performance made you forget the piece was complex. He received shouts of bravo and thunderous applause.

8)
Even though he said, "I've used up all my energy," he delivered a delightful surprise as an encore.

In the first round of Elisabeth competition, contestants are only informed of which pieces from their submitted repertoire they will perform one hour before the performance, after they've returned to their dressing rooms. Kamei's prepared etudes by Ligeti and Alkan were not selected, but many in the audience were eager to hear his brilliant technique, so he ended up performing them.

 

 

 

 


9)
Ligeti's Etude No. 9, titled "Vertigo," is a piece that, Kamei said, "makes you feel dizzy while playing, as if you've hit your head on something." "Ligeti is amazing because he wrote music that really makes you dizzy." It's a piece that would be difficult to memorise. Still, he played it carefully and meticulously down to the last detail, finishing with a relaxed performance that drew smiles of sympathy from the audience.

As he began, "There's one more piece I haven't played yet..." a cheer of joy rang out from the audience. Kamei then performed Alkan's Etude, Op. 39-7, a masterful pianist himself, with a crisp, clear sound that soared through the air. The audience expressed their excitement with a standing ovation, and the performance ended with the hall filled with excitement.

10)
This program was challenging, particularly with its inclusion of contemporary pieces. Even those attending Kamei's concert for the first time, as well as his fans, likely experienced many pieces they had never heard live before. However, his brilliant technique, dramatic expressiveness, and passionate commentary between pieces fully conveyed the merits of the pieces, reflecting his deep appreciation.

11)
It was also reaffirming that Kamei has become so popular that he is willing to listen to even unfamiliar pieces if he performs them. It's safe to say that he has gained the freedom to take on even more challenges. This triumphant recital made us even more excited to see what steps he will take next and what he will do in the future.

 

 

 

 

 

Masaya Kamei hones his brilliant technique and dramatic expressiveness. Report on his triumphant return performance in three cities.

https://spice.eplus.jp/articles/340947

 

 

 

 

The Science Behind Music Changing Your Mood|Why Music Moves Us: It's All in the Brain's Chemical Reactions

 

The Science Behind Music Changing Your Mood|Why Music Moves Us: It's All in the Brain's Chemical Reactions

 

 

//Summary - Level-B2//

Music can change our emotions through brain chemistry. When we listen to songs we enjoy, the brain releases dopamine, which brings a pleasure similar to that of eating or falling in love. Even sad songs release oxytocin and prolactin, hormones that promote empathy and healing. The tempo of music also affects mood: faster beats increase energy, while slower ones calm us. Music acts like an “emotional remote control,” helping us focus, relax, or feel motivated. As Ms M discovered, choosing the right song can lift your mood — showing that music isn’t just entertainment but a kind of brain therapy.

 

 

1)
Friend M's story: ‘One song changed my world on a night I was feeling low’

Ms M (28, office worker) recounted how, on a night she was feeling down after a work failure, she was saved by a song that happened to play through her earphones.

"I was on the verge of tears, but when I heard that song, somehow I thought, “Maybe I'll give it a go tomorrow. Music isn't magic, it's more like medicine, isn't it?"

Actually, that sensation – it's a phenomenon that can be explained scientifically.
Music is one of the few tools that directly “manipulates emotions” in the brain.

2)
Trivia No1: Music stimulates the brain's “reward system”

Listening to music triggers the release of dopamine, a pleasure chemical, in the brain.
This is the same reaction as when you eat something delicious or fall in love.

Dopamine levels peak, especially just before the chorus of a favourite song.
In other words, that moment of anticipation – “Here it comes!” –
It is precisely when the brain is most excited.

Psychologist Daniel Levitin states:

‘Music is a game of anticipation and reward within time.’

The reason listening to music lifts your mood is that the brain anticipates the ‘next development’ and the reward that follows.

3)
Trivia No2: Why listening to sad songs can paradoxically calm you

Surprisingly, the brain also experiences pleasure when listening to sad music.
The reason lies in the hormones oxytocin and prolactin.

These promote empathy and healing, creating a sense of security akin to being comforted by someone when hearing sad tunes.

This is precisely why heartbreak ballads resonate so deeply on nights following a breakup.
Tears are also a “self-defence reaction” the brain employs to heal itself.

4)
Trivia No3: “BPM Psychology” – How Tempo Determines Emotion

Experiments show that listening to music with a BPM (tempo) of 100–120 changes brainwaves to “alpha waves”, simultaneously enhancing concentration and relaxation.

Moreover, faster-tempo songs stimulate the sympathetic nervous system, becoming “adrenaline-boosting music” that heightens motivation.
Conversely, slow tempos activate the parasympathetic nervous system, functioning as “calming music” that eases anxiety and tension.

In essence, music is like an “emotional remote control”.

5)
Ms M's realisation: ‘You can choose your mood with a song.’

"I used to think I didn't have the time to listen to music, but now, when I feel down, I make time to 'choose a song'. Even if I can't control my emotions, I can choose my playlist."

Her Spotify is filled with playlists titled ‘Mood Restart’.

6)
Summary: ‘Music is the brain's “emotional switch”’

Music isn't mere entertainment; it's neuroscientific therapy.
When one song changes your mood, it's not because your heart is weak, but because your brain is ‘self-repairing through sound’.

What you need to change tomorrow might be less courage and more of a ‘play button’.

 

 

 

The Science Behind Music Changing Your Mood|Why Music Moves Us: It's All in the Brain's Chemical Reactions

https://note.com/hiropy216/n/n35c3046f2504?external_type=smart_news&external_position=original_link&rt=external&sub_rt=smart_news

 

 

Can brain waves tell us the joy and comfort of listening to music? ── Deciphering the emotions our brain perceives through music

https://mag.viestyle.co.jp/music_feeling_brainwave/

 

 

The charm of the “full moon” illuminating autumn nights. Akiko Baba [Understanding the Japanese Spirit through Waka Poetry]

 

 

The charm of the “full moon” illuminating autumn nights. Akiko Baba [Understanding the Japanese Spirit through Waka Poetry]

 


1)
The serialised column ‘Understanding the Japanese Spirit Through Waka’ by poet Akiko Baba. 

The twenty-sixth instalment focuses on the ‘Full Moon’. Appearing in the clear night sky, the full moon brightly illuminated gardens and hillsides, stirring people's hearts. 

From the Mid-Autumn Moon to November, she explains two poems celebrating the full moon, which heighten the beautiful autumn atmosphere.

2)
The Hearts of Those Who Admired the Full Moon

Counting the moon's ripples on the water's surface,
Tonight truly feels like autumn has arrived.
— Minamoto no Shun

Water or sky, sky or water—
Indistinguishable, flowing together,
The clear autumn night moon.
— Anonymous

There is the phrase “snow, moon, and flowers”.
Representing the sentiments of Japan's four seasons, it possessed a great power to stir poetic hearts at each season's turn.

Admiring the moon in autumn—this custom persisted until barely half a century ago as the “moon-viewing” festival within the lives of ordinary folk.

The Japanese, fond of celebrating nature, cherished not only moon-viewing but also flower-viewing and snow-viewing as refined pastimes. How splendid that poems remain to record these moments.

3)
"Counting the moon's reflections upon the water's surface,
This very night is surely autumn's true essence."

This is a poem composed for the fifteenth night by Minamoto no Shōtoku, one of the leading poets of the mid-Heian period.

According to the preface in the Shūshū anthology, that day Shōtafu visited the home of an acquaintance with a lotus pond. Several men and women were already there, strolling around the pond in high spirits.

The moon, rising at that very moment, cast its reflection upon the pond water, creating a truly splendid scene.

4)
The poem deliberately captures that moment's ‘Oh!’ of wonder with a leisurely cadence, expressing the feeling of ‘counting the days and nights’ towards the mid-autumn full moon.

One notices how this somewhat childishly charming phrasing serves to heighten the impact of the second line: ‘Tonight, indeed, is the very heart of autumn.’

Moreover, had the opening line been ‘Upon the pond's surface,’ the scene would have felt far smaller, even diminishing the poem's quality. The power of poetic language is genuinely remarkable.

This poem later entered the imperial anthologies and came to be quoted in various contexts each time the fifteenth night arrived.

5)
Next, I wish to introduce a single moon poem by an anonymous amateur, along with its associated anecdote.

The scene is a poetry gathering at the residence of Tachibana no Toshitsuna. Toshitsuna's father was the Regent and Chief Minister, Yorimichi.

Though he inherited the Tachibana household, he was also immensely wealthy due to his father's prestige.

As a patron of the poetry world, he frequently hosted poetry gatherings at his residence in Fushimi, counted among the three most lavish mansions in the realm at that time.

6)
The theme for this day's gathering was “Moon over Water”.
Though first-rate poets were assembled, for some reason, no outstanding verse emerged that day, and a period of agonising over verses continued.

At that moment, a man who had been summoned from the provinces for menial duties and was guarding the residence, declared to the attendant samurai that he too had composed a poem.

7)
The assembled poets, intrigued, had the attendant recite his verse:
"Water or sky, sky or water—
Neither can be told apart,
Flowing clear through autumn night's moon."

Those who had been struggling must have felt as though their inner eyes had suddenly opened upon hearing this verse. 

No poem surpassing it emerged at that gathering, and the assembly praised it, acknowledging their own shortcomings with the phrase ‘we were put to shame’ (Jikkinshō). This humility, too, is admirable.

8)
Incidentally, this anonymous poem, whose author's name remains unknown, was later included in the imperial anthology Shin Goshuishū, under the section ‘Autumn Ascending,’ three hundred years after its creation.

This means that throughout those three centuries, people never forgot this song composed by an anonymous amateur; they cherished it, recited it, and passed it down. Is this not also deeply moving?

Amidst the vast expanse of water and sky, traversing both, the moon remains as pure and clear as ever.

 

 

 

 

The charm of the “full moon” illuminating autumn nights. Akiko Baba [Understanding the Japanese Spirit through Waka Poetry]

https://intojapanwaraku.com/culture/286900/